The rhythm of diaspora: The power of Arab-American music in the (dis)Americanization
DOI:
https://doi.org/10.58881/jllscs.v1i3.100Keywords:
Arab-American identity, figurative expressions, US immigrant, cultural fusion, cultural integrationAbstract
Music plays a crucial role in promoting cultural expression, unity, and social transformation, particularly for minority communities like Arab Americans. Modern Arab-American music has shifted its style from classical and Tarab music to rap music, sung in both English and Arabic. This shift has significantly changed the intensity with which themes of discrimination, integration, resistance, and identity pride. are discussed. The language used in these songs has an impact on presenting the Arab-American identity. Modern Arab American music has transitioned from classical and Tarab music to rap music, delivered in both English and Arabic, by utilizing figurative language such as hyperbole, simile, synecdoche, and paradox to explore themes of discrimination, integration, resistance, and identity pride. Arab-American artists contribute to a complex cultural tapestry through music, language, and art, bridging two cultures. Their artistic expression fosters unity, challenges perceptions, and promotes acceptance, enhancing the cultural landscape of the United States.
Downloads
References
Ahmed, Lila. (2019). "Dressed for Modernity: Fashion, Gender, and the Hijab Debates in Turkey." Journal of Middle East Women's Studies, vol. 15, no. 1, 2019, pp. 42-59.
Aman, Rima. (2014). "Exploring Arab American Music and Its Place in American Society." Journal of Middle East Women's Studies, vol. 10, no. 3, 2014, pp. 104-110.
Arab American National Museum. (2019). "Personal Record." Arab American National Museum, 2019, arabamerican.pastperfectonline.com/byperson?keyword=Maloof%2C+Alexander.
Canary Records. (2021). "America: The Sweet Arab-American Music (1913-23 ca. 1950)." Bandcamp, Canary Records, 2021, canary-records.bandcamp.com/album/america-the-sweet-arab-american-music-1913-23-ca-1950.
Davis, Eric. (n.d). "Representation of the Middle East at the American World Fair 1876-1904" The United States and The Middle East: Cultural Encounters, USA, Date. Edited by Amanat Abbas, Bernhadsson, Magnus, The Yale Center for International and Area Studies, 342-385. https://www.files.ethz.ch/isn/58232/MESV5-12.pdf
Kinzer, Joe. (2022). "Celebrating the Recorded Music of the Early Arab American Diaspora." Harvard Loeb Music Library Blog, Harvard University, 24 Feb. 2022, blogs.harvard.edu/loebmusic/2022/02/24/celebrating-the-recorded-music-of-the-early-arab-american-diaspora/.
Fernandez, Melanie. (2020). "Hijab as a Form of Identity for Muslim Women in America." Women & Language, vol. 43, no. 1, 2020, pp. 35-54.
Gross, Terry. (2028). "Finding Harmony and Building Bridges in 'American' Music." NPR, 6 Nov. 2018, www.npr.org/2018/11/06/664443470/finding-harmony-and-building-bridges-in-american-music.
Huntington, S. P. (2004). Who Are We? The Challenges to America's National Identity. New York: Simon & Schuster.
Harvard Loeb Music Library Blog. "Jūz al-ḥamām = Gose elhamam." Harvard Loeb Music Library Blog, Harvard University, https://harvardmusiclib.aviaryplatform.com/collections/966/collection_resources/55365
Jamal, Amal. (2020). "Arab Americans and the Dilemmas of Intersectionality." Journal of Ethnic and Migration Studies, vol. 46, no. 2, 2020, pp. 239-257.
“Mona Haydar - American [Official Music Video].” YouTube, 2 Aug. 2019, www.youtube.com/watch?v=bnKeJMSo1WA.
Mona Haydar. (2028). - Barbarian [Official Music Video].” YouTube, 15 June 2018, www.youtube.com/watch?v=lfDQ5REWCu0.
“Mona Haydar. (2017). Hijabi (Wrap My Hijab).” YouTube, 27 Mar. 2017, www.youtube.com/watch?v=XOX9O_kVPeo.
Lipman, P. (2010). American multiculturalism after 9/11: Transatlantic perspectives. Comparative American Studies, 8(1), 17-31.
Rasmussen, Anne K. (1996). “Theory and Practice at the ‘Arabic Org’: Digital Technology in Contemporary Arab Music Performance.” Popular Music, vol. 15, no. 3, 1996, pp. 345–65. JSTOR, http://www.jstor.org/stable/931334. Accessed 9 July 2023.
Shafiq, Naheed. (2019). "Wearing the Hijab in America: Understanding Islamophobia through the Experiences of Hijabis." Journal of Muslim Minority Affairs, vol. 39, no. 3, 2019, pp. 383-398.
Shannon, Jonathan H. (2019). “Emotion, Performance, and Temporality in Arab Music: Reflections on Tarab.” Cultural Anthropology, vol. 18, no. 1, 2003, pp. 72–98. JSTOR, http://www.jstor.org/stable/3651584. Accessed 8 July 2023.
Shryock, Andrew. (2017). "Arab America's 'Public Secrets': The Figure of the Arab-Muslim Male in American Popular Culture." Arab American Studies, vol. 1, no. 1, 2017, pp. 8-29.
Swedenburg, Ted. (2023). “Arab ‘World Music’ in the US.” Middle East Report, no. 219, 2001, pp. 34–40. JSTOR, https://doi.org/10.2307/1559254. Accessed 9 July 2023.
Swedenburg, Ted. (2004). “The ‘Arab Wave’ in World Music after 9/11.” Anthropologica, vol. 46, no. 2, 2004, pp. 177–88. JSTOR, https://doi.org/10.2307/25606193. Accessed 11 July 2023.
Thorman, Marc. (2023). "Traditional and Contemporary Arabic Music in the United States." Music in Global America, University of Southern California, 3 Aug. 2023, https://scalar.usc.edu/works/music-in-global-america/traditional-and-contemporary-arabic-music-in-the-united-states?path=music-of-the-arab-world-and-arab-americans
Zangwill, I. (1908). The Melting Pot. New York: Macmillan.
Downloads
Published
Versions
- 2024-01-10 (5)
- 2024-01-10 (4)
- 2024-01-10 (3)
- 2024-01-05 (2)
- 2023-11-01 (1)
How to Cite
Issue
Section
License
Copyright (c) 2023 Journal of Language, Literature, Social and Cultural Studies

This work is licensed under a Creative Commons Attribution 4.0 International License.